Well dear reader, back for more of my tales of musical meh? Okay, I shouldn't act like I don't care about what I do - it is my livelihood after all. But sometimes it gets a little...... tedious. But juggling two bands and two schedules, all while caring for an ailing wife, can be a pretty impressive feat of prestidigitation.
So where do I begin? Well, Steppen Stonz is struggling along, trying to find more and longer gigs to make it worth the expense of driving to Northern Nevada. But while Mike and Arthur's drives up from Las Vegas are no picnic, my travel expenses are more than theirs combined. But our good and noble steed of an agent, Stew Stewart (enough ass-kissing?), is turning stuff up for us. My last run down consisted of playing two nights midweek at the Nugget in Sparks for a dairy cattleman's convention - and the first night just happened to land on Mardi Gras. But the cattlemen didn't seem all that interested, and the hotel had no actual Mardi Gras event planned. But we still went out onstage and did our best.
That was followed by seven days off. And with not enough money to be able to drive home and back, I wound up staying in Carson City with my friends Jeremy and Alison, going to an Idekay show only a few blocks away from the Nugget with Jeremy (it's his band, after all) while pulling out some of my best recipes in the kitchen for Ali. And they'd just moved into a condo on the east side of Carson City, and actually had a guest room available for yours truly to hibernate in. Not a bad week off at all by my standards.
After that came another three nights at the Nugget, a standard Thursday/Friday/Saturday run that coincided with St. Patrick's Day, which also happened to be the birthday of the casino itself. And while we've had pleasant interactions in the past with Stephen Ascuaga, the owner's son, this time around we got to meet and greet all three Ascuagas - Stephen, Michonne, and old John Ascuaga himself. While he's getting up there in years, nothing gets past him. Seriously. He's a nice old fella, but I'm sure he'd have me wearing my balls for a bowtie if I crossed him. We talked with them backstage at the ceremony commemorating the Nugget's 56th birthday, and they were quite effusive in their praise for us both privately and on the mic for the crowd gathered in the cabaret for the birthday party itself. And it kicked off a pretty good weekend for us, with good crowds all three nights and virtually no glitches of any kind - aside from having to do an encore without my headphones because I'd accidentally pulled out the headphone cord from its socket while getting back onto my throne, and I had no time to plug them back in.
But all that has pretty much paled in comparison with what's been going on at home. I only have about a week in Port Angeles before I have to return to Nevada, this time for a three-nighter at the CVI in Minden, and this time with Joy to celebrate our 17th anniversary. Dirty Joe needs work, and I've been trying to arrange auditions for our lead-singer position, as I've mentioned previously. Well, I now have four interested candidates. I've already auditioned one, a Filipina from Sequim who's played in many of the same places I have in Nevada, though she may not be all that compatible with my guys. A karaoke buddy of mine has expressed interest in the gig, and a singer from a previous incarnation from the band as also thrown his hat into the ring. But they're all over shadowed by another karaoke friend of mine, with talent of phenomenal proportions, and nothing to hold her back. Jenn is so very talented, even with a cold her voice puts most others to shame. Ron and Roger have pursued her for some time, and she actually did sing with them for a few months, but she found their lack of professionalism and drive to be a bit disturbing back then. I was able to sit down with her at karaoke last night at the Coo Coo's Nest, and told her that I was pushing them a lot harder, and making them a more professional unit. I went to the mat to convince her to give them another chance. And talking to her and getting to know her, I came to the realization that she's too damn good for this town. She wants to sing, but doesn't want to be famous. She wants to sing in a cover band, and play the kind of gigs that I play. And while she has a healthy-enough ego regarding her ability (as well she should), her desire to pursue the same career path I chose and to avoid stardom showed her to have really not that much of an ego after all. Listening to her, I could clearly hear some of my favorite ladies on the Reno circuit in her words, good friends like Tracy Bing and Tina Fink. And I told her so. I actually told her that she needed to get off the Peninsula and come with me to Reno - or just get her own ass there herself. She's got the talent - the voice, the personality, the ability to engage the crowd - I just hope my minions will change their ways enough to make her want to actually work with us, though I told her that if they pissed her off to the point of bailing on us, that I might just go with her.
Yeah. She's that talented, folks.
But Roger, Ron, and John (Tom is out of the band for the foreseeable future due to health concerns - but we'll keep his seat open for him to come back whenever he's right) agreed to work more and kiss the bong less, and apply themselves to music more suited to Jenn's powerhouse voice. And if she sticks around, I'll finally have the three-part harmonies I've been wanting ever since I joined the band, plus a true lead singer who can peel the paint off the walls with her voice. And if it doesn't work out? Well then, I might have a passenger on a future trip to Reno......
We shall see, my friends.....
Wednesday, March 23, 2011
Sunday, February 27, 2011
What's Old Is New Again
Remember that gig I thought I had coming up in my last post? Never happened. It turns out that the bar we were supposed to be playing was having problems. Or at least that's what I was told. They weren't alone. Remember that new drummer I was talking about? He's out, too - showing up for practice 90 minutes late - twice - and not responding to our phone calls is generally grounds for a rapid dismissal. But as usual, there's more to it than that. And because of that, I'm going back behind my drums again.
Y'see, while ol' Phife wasn't the best drummer in the world, let alone the best person, he could sing fairly well. And with his departure, there was no one left in the band to sing backing vocals behind me. And then Roger strays from the CD of new songs I wanted the band to learn and starts noodling his way through a handful of Styx songs. I advised him that we could only tackle material like that with not one singer, but three - and I didn't see anyone else stepping up to the mic. And with the new drummer not panning out, I made the decision to go from being merely a singer to being a singing drummer again, and hire a new lead vocalist.
And on top of all this, our bassist was ailing as well. I won't go into details about - it ain't pretty folks, that's all I'll say - but he was unable to play. And while we were able to drum up a replacement for Tom, this guy wasn't going to be available full-time due to family. And he also had issues with the new drummer, so it behooved me even more to get back behind the kit. But Tom's health is improving, but how much so is still somewhat of a mystery to me. So for the moment, we have two bass players, with Tom playing on the weekends, and the backup coming in to rehearse during the week.
So we got together last night for my first rehearsal as drummer/vocalist, and it went remarkably well, though getting there was quite a challenge. With the recent snowstorm, the roads can be a bit...... dicey. And Roger's place isn't on a paved road. I picked up John (the backup bassist) at the Transit Center in downtown PA and headed up to Roger's place, only to find that not only was the road impassable, but Roger and Ron weren't even there - helping a friend move at the last minute, apparently. They showed up soon enough though, and we got on to business. None of them had ever really heard me play before, and well....... let's just say they were happily surprised. At one point Ron actually got down on all fours and bowed to me. I guess their drummers had been of rather inconsistent quality as of late.
It felt good to just rock out, I must say. This was more the style of drumming I had back when I first started gigging around PA 15 or so years ago, made all the more better by years of experience and understanding. But now I've wound up leading them into an even bigger pickle - who do they call to replace me when I'm out of town? I don't even want to know any more.
And a quick side note for you. My Carson City homegirl Jazmyn posted to her Facebook page about going to see the Stonz. I almost had a heart attack thinking 'did they fire me without even bothering to tell me?' before I remembered that they were playing at the Atlantis. So I'd assume that Alan Zukor is keeping my seat warm for me until the next good gig comes along. Whenever that will be. I'm starting to get a little worried.....
Breathe Joe, breathe. Just be patient.......
Y'see, while ol' Phife wasn't the best drummer in the world, let alone the best person, he could sing fairly well. And with his departure, there was no one left in the band to sing backing vocals behind me. And then Roger strays from the CD of new songs I wanted the band to learn and starts noodling his way through a handful of Styx songs. I advised him that we could only tackle material like that with not one singer, but three - and I didn't see anyone else stepping up to the mic. And with the new drummer not panning out, I made the decision to go from being merely a singer to being a singing drummer again, and hire a new lead vocalist.
And on top of all this, our bassist was ailing as well. I won't go into details about - it ain't pretty folks, that's all I'll say - but he was unable to play. And while we were able to drum up a replacement for Tom, this guy wasn't going to be available full-time due to family. And he also had issues with the new drummer, so it behooved me even more to get back behind the kit. But Tom's health is improving, but how much so is still somewhat of a mystery to me. So for the moment, we have two bass players, with Tom playing on the weekends, and the backup coming in to rehearse during the week.
So we got together last night for my first rehearsal as drummer/vocalist, and it went remarkably well, though getting there was quite a challenge. With the recent snowstorm, the roads can be a bit...... dicey. And Roger's place isn't on a paved road. I picked up John (the backup bassist) at the Transit Center in downtown PA and headed up to Roger's place, only to find that not only was the road impassable, but Roger and Ron weren't even there - helping a friend move at the last minute, apparently. They showed up soon enough though, and we got on to business. None of them had ever really heard me play before, and well....... let's just say they were happily surprised. At one point Ron actually got down on all fours and bowed to me. I guess their drummers had been of rather inconsistent quality as of late.
It felt good to just rock out, I must say. This was more the style of drumming I had back when I first started gigging around PA 15 or so years ago, made all the more better by years of experience and understanding. But now I've wound up leading them into an even bigger pickle - who do they call to replace me when I'm out of town? I don't even want to know any more.
And a quick side note for you. My Carson City homegirl Jazmyn posted to her Facebook page about going to see the Stonz. I almost had a heart attack thinking 'did they fire me without even bothering to tell me?' before I remembered that they were playing at the Atlantis. So I'd assume that Alan Zukor is keeping my seat warm for me until the next good gig comes along. Whenever that will be. I'm starting to get a little worried.....
Breathe Joe, breathe. Just be patient.......
Tuesday, February 8, 2011
Minden Your Business
I deeply apologize for not having posted for so long. I must do better. Now where was I?
When last I left you, I was looking at the possibility of losing my gig with Steppen Stonz due to a lack of work. My new band, Dirty Joe, had just played our first gig to a crowd of about thirty or so at a local artist's studio. So what's been happening lately? Well, a three-day run at the Nugget in Sparks was nice, but barely able to pay for the gas to get there and back. But it led to some good news - we'd gotten a four-night gig at the Carson Valley Inn in Minden, about 10 miles south of Carson City, over the Super Bowl weekend now just past. This was a chance to showcase Steppen Stonz to a new audience and a new management, so we needed to be on our best behavior for the gig.
It'd been a while since I'd been there last, and even longer since I'd last played there. I played there two or three times with Powerlight, the last time being in '03 or '04. I used to go there five nights a week as a part of my courier route, but that was just to duck in and out as quickly as possible. Since Joy and I had left Reno, Carson Valley Inn had been sold to the family that owns the Eldorado in Reno, but I guess they'd sold CVI (and the smaller Bodine's Casino in Carson City) to another guy, who we were briefly introduced to after we'd set up - he was busy fiddling with a lighting fixture. I saw that as a good sign - a guy who's hands-on with the businesses he owns is always a good thing, win or lose. Our agent had talked us up to the CVI pretty good, saying that we'd likely become their number-one band once they hired us. I'd like to think we delivered on his promise, but more on that later.
As usual, we started filtering into the CVI the night before the gig started, or the day before in my case. Due to the Inn itself being booked solid for the weekend, we were farmed out to rooms at CVI's nearby motor-lodge a few hundred yards away, with their RV resort and mini-mart in between. Upon checking in it was plainly obvious that the new regime was pouring a lot of money into refurbishing the place - the old cabaret above and behind a bar (similar to cabarets at the Atlantis, Peppermill, and Carson Station) was gone, replace with a stage just a few inches above a small dancefloor, with the bar now off to the stage-left. Rooms in the inn and motor-lodge were refurbished as well, and the smell of paint and carpet glue was strong enough to suggest that the refurbishing was done quite recently. I was glad Joy wasn't with me - those fumes would've put her in the hospital.
I'd pulled an all-nighter to get to Minden, leaving directly from a Dirty Joe practice that actually became a scouting trip for a new drummer in Sequim to drive straight through to Minden, so the extra-comfy bed was a godsend. After a nap, I wandered over to the Inn to see my homegirl Tina Fink play with her band's new gig, doing live-band karaoke. They've managed to work it into a pretty stable set of one-nighters during the week while still playing standard cabaret shows on the weekends. After they finished their show and cleared out, I set my kit up so that I wouldn't waste the Stonz' time the next morning when they'd set up. Our agent actually gave us a pep-talk after we set up, and assured us that we'd get good crowds that weekend because of the Super Bowl while telling us how he'd sung our praises to the CVI brass. So we were pretty optimistic heading into the first show on Thursday night.
That optimism didn't last for very long, though. We played to a pretty empty house that first night, with only a few regulars from Carson there to support us. We did our best to shrug it off and figured that the real fun would start the next night. For once our predictions came true, and the next three nights were played to full houses, all night long. Even including Sunday, after the game was over. And boy were those people enthusiastic. I don't think I've ever played to such a lively crowd in Nevada. All our friends from Carson, Dayton, and Lake Tahoe came to visit at least once. We were getting a good crowd to work with, and we hit it for all we were worth. In my honest opinion, I think that this may have been the best set of shows we've done since I joined the Stonz. No problems, no bugaboos, no brainfarts. Even with a cold wrecking my voice, I was putting out as good an effort as I could manage. Our agent was there for a little while each night, and I think even he was impressed. He even jumped onstage a few times to sing along with us.
And the staff at CVI were so good to us. When I checked in, I'd found that there was a slight miscalculation on somebody's part, and that we weren't scheduled to check in until the next night. They fixed that error quickly enough though, and Mike and Arthur checked in a few hours after I did. We were given access to the employee cafeteria for a meal a day (bonus!), and treated well by the staff in general. It even turned out that a few CVI employees had seen us play before, presumably up in Carson, and were quite happy to have us playing on their home turf.
And that positive vibe was a welcome change. Y'see, in the past CVI didn't have all that good of a reputation with the bands because some of their employees seemed a little, well........ obsessed with enforcing noise-limit rules on the bands. They'd wave around sound meters and threaten bands with firing for being even the slightest bit over the 85-decibel limit that federal regulations demanded, and do other things to embarass and humiliate bands. But all of that was gone now. But while we still had to keep things somewhat quiet (having my drums muffled and triggered certainly helped), there would be no hassles from anyone, as any issues would be solved quietly and quickly, lest a quick phone call to our agent would be placed to chew out the offending party.
But negativity was nowhere to be found. In so many words, things went great. We killed it. Knocked it out of the park. We received nothing but praise from all sides. I even got a $50 bonus, which certainly helped pay for gas getting home. We figure that it's only a matter of time before we're working there steadily, filling the void left by the Station's cancellation. Even a few Station employees showed up, telling us they were convinced the place would be going under any minute now, while other friends of ours claimed that the place had been sold to new owners, and that we'd be back onstage there within a few months. That would be nice, I'll admit. Playing two-week gigs in Carson and Minden would be awesome, and certainly help boost my bottom line. But I'll take what I can get for the time being.
And now that I'm back in Port Angeles, I have to put on my lead-singer hat and front Dirty Joe for its first serious gig this weekend. I'm looking forward to putting these guys through their paces, and seeing how Port Angeles accepts me as a singer instead of a drummer. With a new drummer in tow, we've got one rehearsal before Friday comes. So let's hope for the best, okay?
Happy thoughts, people!
When last I left you, I was looking at the possibility of losing my gig with Steppen Stonz due to a lack of work. My new band, Dirty Joe, had just played our first gig to a crowd of about thirty or so at a local artist's studio. So what's been happening lately? Well, a three-day run at the Nugget in Sparks was nice, but barely able to pay for the gas to get there and back. But it led to some good news - we'd gotten a four-night gig at the Carson Valley Inn in Minden, about 10 miles south of Carson City, over the Super Bowl weekend now just past. This was a chance to showcase Steppen Stonz to a new audience and a new management, so we needed to be on our best behavior for the gig.
It'd been a while since I'd been there last, and even longer since I'd last played there. I played there two or three times with Powerlight, the last time being in '03 or '04. I used to go there five nights a week as a part of my courier route, but that was just to duck in and out as quickly as possible. Since Joy and I had left Reno, Carson Valley Inn had been sold to the family that owns the Eldorado in Reno, but I guess they'd sold CVI (and the smaller Bodine's Casino in Carson City) to another guy, who we were briefly introduced to after we'd set up - he was busy fiddling with a lighting fixture. I saw that as a good sign - a guy who's hands-on with the businesses he owns is always a good thing, win or lose. Our agent had talked us up to the CVI pretty good, saying that we'd likely become their number-one band once they hired us. I'd like to think we delivered on his promise, but more on that later.
As usual, we started filtering into the CVI the night before the gig started, or the day before in my case. Due to the Inn itself being booked solid for the weekend, we were farmed out to rooms at CVI's nearby motor-lodge a few hundred yards away, with their RV resort and mini-mart in between. Upon checking in it was plainly obvious that the new regime was pouring a lot of money into refurbishing the place - the old cabaret above and behind a bar (similar to cabarets at the Atlantis, Peppermill, and Carson Station) was gone, replace with a stage just a few inches above a small dancefloor, with the bar now off to the stage-left. Rooms in the inn and motor-lodge were refurbished as well, and the smell of paint and carpet glue was strong enough to suggest that the refurbishing was done quite recently. I was glad Joy wasn't with me - those fumes would've put her in the hospital.
I'd pulled an all-nighter to get to Minden, leaving directly from a Dirty Joe practice that actually became a scouting trip for a new drummer in Sequim to drive straight through to Minden, so the extra-comfy bed was a godsend. After a nap, I wandered over to the Inn to see my homegirl Tina Fink play with her band's new gig, doing live-band karaoke. They've managed to work it into a pretty stable set of one-nighters during the week while still playing standard cabaret shows on the weekends. After they finished their show and cleared out, I set my kit up so that I wouldn't waste the Stonz' time the next morning when they'd set up. Our agent actually gave us a pep-talk after we set up, and assured us that we'd get good crowds that weekend because of the Super Bowl while telling us how he'd sung our praises to the CVI brass. So we were pretty optimistic heading into the first show on Thursday night.
That optimism didn't last for very long, though. We played to a pretty empty house that first night, with only a few regulars from Carson there to support us. We did our best to shrug it off and figured that the real fun would start the next night. For once our predictions came true, and the next three nights were played to full houses, all night long. Even including Sunday, after the game was over. And boy were those people enthusiastic. I don't think I've ever played to such a lively crowd in Nevada. All our friends from Carson, Dayton, and Lake Tahoe came to visit at least once. We were getting a good crowd to work with, and we hit it for all we were worth. In my honest opinion, I think that this may have been the best set of shows we've done since I joined the Stonz. No problems, no bugaboos, no brainfarts. Even with a cold wrecking my voice, I was putting out as good an effort as I could manage. Our agent was there for a little while each night, and I think even he was impressed. He even jumped onstage a few times to sing along with us.
And the staff at CVI were so good to us. When I checked in, I'd found that there was a slight miscalculation on somebody's part, and that we weren't scheduled to check in until the next night. They fixed that error quickly enough though, and Mike and Arthur checked in a few hours after I did. We were given access to the employee cafeteria for a meal a day (bonus!), and treated well by the staff in general. It even turned out that a few CVI employees had seen us play before, presumably up in Carson, and were quite happy to have us playing on their home turf.
And that positive vibe was a welcome change. Y'see, in the past CVI didn't have all that good of a reputation with the bands because some of their employees seemed a little, well........ obsessed with enforcing noise-limit rules on the bands. They'd wave around sound meters and threaten bands with firing for being even the slightest bit over the 85-decibel limit that federal regulations demanded, and do other things to embarass and humiliate bands. But all of that was gone now. But while we still had to keep things somewhat quiet (having my drums muffled and triggered certainly helped), there would be no hassles from anyone, as any issues would be solved quietly and quickly, lest a quick phone call to our agent would be placed to chew out the offending party.
But negativity was nowhere to be found. In so many words, things went great. We killed it. Knocked it out of the park. We received nothing but praise from all sides. I even got a $50 bonus, which certainly helped pay for gas getting home. We figure that it's only a matter of time before we're working there steadily, filling the void left by the Station's cancellation. Even a few Station employees showed up, telling us they were convinced the place would be going under any minute now, while other friends of ours claimed that the place had been sold to new owners, and that we'd be back onstage there within a few months. That would be nice, I'll admit. Playing two-week gigs in Carson and Minden would be awesome, and certainly help boost my bottom line. But I'll take what I can get for the time being.
And now that I'm back in Port Angeles, I have to put on my lead-singer hat and front Dirty Joe for its first serious gig this weekend. I'm looking forward to putting these guys through their paces, and seeing how Port Angeles accepts me as a singer instead of a drummer. With a new drummer in tow, we've got one rehearsal before Friday comes. So let's hope for the best, okay?
Happy thoughts, people!
Sunday, January 9, 2011
Closings, Openings, And Sides, or "Where Has Joe Been For The Last Six Weeks?"
Well, as usual, it's been kinda weird. Is anything ever normal with me?
Let's start off with the beginning, of course. I started off December in Sparks, playing at John Ascuaga's Nugget. For a nice surprise, we were given rooms in the Nugget's West Tower instead of the neighboring Courtyard hotel. My ninth-floor room had a panoramic view of Reno, Sparks and the Sierras. I also found out that I could get free wi-fi at the Starbucks in the hotel, but the original blog post I'd written in my hotel room wouldn't copy-and-paste from MS Word onto this blog, and I didn't have enough battery life on the laptop to just transcribe it, so it's still languishing on the laptop's hard drive, likely never to be seen by the public - all two of you. It was a good enough gig, though the particular acoustics of the room were bothering Mikey to the point that I offered to muffle and trigger my drums in order to help lower the noise level onstage. He said that'd help. So I'll be muffled and triggering when I play there again next week.
After playing The Nugget for the weekend, I had a week to kill before settling for another two weeks at the Carson Station, so I drove up to Carson and stayed with my friends Jazmyn (Jazzy) and Sara. Jazzy's mother Michelle was also staying there, and her little brother joined the party in time for the holidays as well. It was a bit cramped, with four adults (later five) and two small children sharing a two-bedroom apartment, but I handled it well. I couch-surfed, and slept on Michelle's air-mattress when Jazzy and her boys went to California to pick up her brother - Michelle took her daughter's room for herself. I had no real problem with that. I cooked for them, made my famous pot-roast for the whole crew, and my tater-tot casserole for Michelle and Sara while Jazzy was away (Sara called it 'the perfect stoner food'), endured the lack of internet access and even the lack of TV. I bought a hard drive for my Xbox 360, read my books, and bided my time, and did my best to be of as little inconvenience to everyone as I could.
And the Station was a welcome relief, with comfortable beds (though I found it quite odd that I didn't sleep all that well while I was there, compared to the week before and it's air-mattress and lumpy couch), cable-TV and free internet access. The first week of the gig went well enough, learning new material to slot into our show, and playing to happy - no, grateful - audiences.
Then everything pretty much went to hell.
The night before we started our second week, Mikey stopped rehearsal to tell us all something - that this week would be our last. Why? Because The Station was cancelling all live entertainment after the New Year.
Oh, shit.
No official reason was given as to why, and in the absence of such, rumors abounded. There was talk to the positive side, that new owners would be coming in and sprucing up the place before bringing live music back. The more cynical side of my nature listened more carefully to rumors saying that it was only a matter of time that cost-cutting measures would be of no more help, and The Station would close its doors for good shortly. No matter what, we did our best to put on a brave face, and accept the decision as gracefully and humbly as possible. Our fans were not as inclined to follow in our footsteps, however. During an exceptionally busy New Year's Eve, I was pulled aside by a fan of ours (who shall remain nameless) who told us that they'd established a petition with over a hundred names on it, all agreeing to boycott The Station until live entertainment was re-established.
Author's Note: While the name of this blog is "Musicians Boycott!", I hereby declare that in no way whatsoever did I or any of my bandmates have anything to do with this petition. To be completely honest, I never even saw the thing, so I still question whether such a petition ever actually existed.....
Though if it did, it was almost immediately effective. The next night we were informed by The Station that what they'd actually been planning was just a temporary closure, that things would be redone, the stage itself possibly remodeled in the interval, and live music would return in a few months' time when business picked up again. I could live with that decision, even if it meant taking a few months off. Now if only another gig would turn up.....
That took all of about three days. After coming home on Monday night, the following Wednesday, Joy and I were just curling up for a night of My Big Fat Greek Wedding on DVD when I got a phone call from a guy I'd been hearing from on-and-off for several months. He'd been looking for a drummer and vocalist when I saw his ad at the Albertson's supermarket just down the street from my mother's house in April, and I've been playing phone tag with him pretty much ever since. Well, this phone call at 11:30 at night was about an audition - right there and then, and as just a frontman this time. I figured "why the hell not?" and got us both out of bed to go take this audition on. An hour-and-a-half later, I was the new lead singer of a band called.......
.....wait for it.....
Dirty Joe.
According to Roger and Ron, the band's two guitarists, the name was taken from the movie Joe Dirt, and they'd been playing under this name for some time now. To be honest, I have seen the name before in the Thursday entertainment section of the local paper, but that's quite a coincidence there. But after that audition and one practice, there I was, fronting a band that was supremely grateful to have me - even going so far as to actually listen to my suggestions in rehearsal, try them, and like them! - for a well-known local monthly party at a warehouse on the western edge of downtown Port Angeles.
It was quite a difference, compared to playing with Steppen Stonz, or Powerlight, or even with Rick and Dana Cowen's band Kick. Live music, no sequences, no bullshit. Just a singer, two guitarists (though Roger also plays keyboards), a bassist and a drummer. The drummer, an old friend of mine named Rob Phifer, handles backing vocals as well, though that's going to change soon - we need more than that. It's not that I want stacked three- or four-part harmonies at all times, but I know from experience that drumming and singing at the same time takes a lot out of a body, so Rob could use some help from the other guys in the band. The music itself - hard-rock standards from the 60's, 70's and 80's - is easy enough in itself for me to learn. Hell, I've played nearly all of those songs at one time or another in my career, and sang several of them as well. The catch is that I've only sang them from the drummer's chair. I'd never fronted a band before.
Ever.
Was I nervous? Fuck yeah! But I've seen enough bar bands to know all the moves frontmen make. In simpler terms, I acted like a fucking maniac onstage, and sang my ass off for the length of the show. Afterwards, I was congratulated for my performance by my new bandmates and generally showered with praise. Mission fucking accomplished. So what do I make of this? Where does this go from here? Where do I go from here? Which band do you think I'm going to choose?
Why make me choose? Right now, this new band is something I can't take terribly seriously. I just can't. It's too fun right now. The work will come later, that's for sure. But they're bascially giving me the keys to the car in this band, and asking me for suggestions as to what material I want to bring into the group. I hope they're ready to learn 311's version of The Cure's Love Song, or Down's Ghosts Along The Mississippi, for starters. I'll come up with a list of songs in the next few days, and burn a CD for them to listen to while I'm gone next week.
And that's because I ain't leaving Steppen Stonz. Things are difficult for them right now, and they don't need things to be made worse by me bailing on them. They took the chance on me, after all. I think that they'll only be out of work for a little while, and then they'll be back with a vengeance. So why would I leave them when I'm convinced that while things suck now, they'll get better and better soon?
So I'll do both bands for the time being. I have my concerns about Dirty Joe, and those will only be answered with time. Mike and Arthur have weathered far worse times than this, so I know that they'll still be around. I think Mike and Arthur would be tickled to know that I'm a lead singer now myself. They'd probably laugh at my act, but not out of spite - I hope. But even if they did, I don't think I'd care that much. I have a saying, after all:
"I don't care if you're laughing with me or at me, so long as I've made you laugh."
Let's start off with the beginning, of course. I started off December in Sparks, playing at John Ascuaga's Nugget. For a nice surprise, we were given rooms in the Nugget's West Tower instead of the neighboring Courtyard hotel. My ninth-floor room had a panoramic view of Reno, Sparks and the Sierras. I also found out that I could get free wi-fi at the Starbucks in the hotel, but the original blog post I'd written in my hotel room wouldn't copy-and-paste from MS Word onto this blog, and I didn't have enough battery life on the laptop to just transcribe it, so it's still languishing on the laptop's hard drive, likely never to be seen by the public - all two of you. It was a good enough gig, though the particular acoustics of the room were bothering Mikey to the point that I offered to muffle and trigger my drums in order to help lower the noise level onstage. He said that'd help. So I'll be muffled and triggering when I play there again next week.
After playing The Nugget for the weekend, I had a week to kill before settling for another two weeks at the Carson Station, so I drove up to Carson and stayed with my friends Jazmyn (Jazzy) and Sara. Jazzy's mother Michelle was also staying there, and her little brother joined the party in time for the holidays as well. It was a bit cramped, with four adults (later five) and two small children sharing a two-bedroom apartment, but I handled it well. I couch-surfed, and slept on Michelle's air-mattress when Jazzy and her boys went to California to pick up her brother - Michelle took her daughter's room for herself. I had no real problem with that. I cooked for them, made my famous pot-roast for the whole crew, and my tater-tot casserole for Michelle and Sara while Jazzy was away (Sara called it 'the perfect stoner food'), endured the lack of internet access and even the lack of TV. I bought a hard drive for my Xbox 360, read my books, and bided my time, and did my best to be of as little inconvenience to everyone as I could.
And the Station was a welcome relief, with comfortable beds (though I found it quite odd that I didn't sleep all that well while I was there, compared to the week before and it's air-mattress and lumpy couch), cable-TV and free internet access. The first week of the gig went well enough, learning new material to slot into our show, and playing to happy - no, grateful - audiences.
Then everything pretty much went to hell.
The night before we started our second week, Mikey stopped rehearsal to tell us all something - that this week would be our last. Why? Because The Station was cancelling all live entertainment after the New Year.
Oh, shit.
No official reason was given as to why, and in the absence of such, rumors abounded. There was talk to the positive side, that new owners would be coming in and sprucing up the place before bringing live music back. The more cynical side of my nature listened more carefully to rumors saying that it was only a matter of time that cost-cutting measures would be of no more help, and The Station would close its doors for good shortly. No matter what, we did our best to put on a brave face, and accept the decision as gracefully and humbly as possible. Our fans were not as inclined to follow in our footsteps, however. During an exceptionally busy New Year's Eve, I was pulled aside by a fan of ours (who shall remain nameless) who told us that they'd established a petition with over a hundred names on it, all agreeing to boycott The Station until live entertainment was re-established.
Author's Note: While the name of this blog is "Musicians Boycott!", I hereby declare that in no way whatsoever did I or any of my bandmates have anything to do with this petition. To be completely honest, I never even saw the thing, so I still question whether such a petition ever actually existed.....
Though if it did, it was almost immediately effective. The next night we were informed by The Station that what they'd actually been planning was just a temporary closure, that things would be redone, the stage itself possibly remodeled in the interval, and live music would return in a few months' time when business picked up again. I could live with that decision, even if it meant taking a few months off. Now if only another gig would turn up.....
That took all of about three days. After coming home on Monday night, the following Wednesday, Joy and I were just curling up for a night of My Big Fat Greek Wedding on DVD when I got a phone call from a guy I'd been hearing from on-and-off for several months. He'd been looking for a drummer and vocalist when I saw his ad at the Albertson's supermarket just down the street from my mother's house in April, and I've been playing phone tag with him pretty much ever since. Well, this phone call at 11:30 at night was about an audition - right there and then, and as just a frontman this time. I figured "why the hell not?" and got us both out of bed to go take this audition on. An hour-and-a-half later, I was the new lead singer of a band called.......
.....wait for it.....
Dirty Joe.
According to Roger and Ron, the band's two guitarists, the name was taken from the movie Joe Dirt, and they'd been playing under this name for some time now. To be honest, I have seen the name before in the Thursday entertainment section of the local paper, but that's quite a coincidence there. But after that audition and one practice, there I was, fronting a band that was supremely grateful to have me - even going so far as to actually listen to my suggestions in rehearsal, try them, and like them! - for a well-known local monthly party at a warehouse on the western edge of downtown Port Angeles.
It was quite a difference, compared to playing with Steppen Stonz, or Powerlight, or even with Rick and Dana Cowen's band Kick. Live music, no sequences, no bullshit. Just a singer, two guitarists (though Roger also plays keyboards), a bassist and a drummer. The drummer, an old friend of mine named Rob Phifer, handles backing vocals as well, though that's going to change soon - we need more than that. It's not that I want stacked three- or four-part harmonies at all times, but I know from experience that drumming and singing at the same time takes a lot out of a body, so Rob could use some help from the other guys in the band. The music itself - hard-rock standards from the 60's, 70's and 80's - is easy enough in itself for me to learn. Hell, I've played nearly all of those songs at one time or another in my career, and sang several of them as well. The catch is that I've only sang them from the drummer's chair. I'd never fronted a band before.
Ever.
Was I nervous? Fuck yeah! But I've seen enough bar bands to know all the moves frontmen make. In simpler terms, I acted like a fucking maniac onstage, and sang my ass off for the length of the show. Afterwards, I was congratulated for my performance by my new bandmates and generally showered with praise. Mission fucking accomplished. So what do I make of this? Where does this go from here? Where do I go from here? Which band do you think I'm going to choose?
Why make me choose? Right now, this new band is something I can't take terribly seriously. I just can't. It's too fun right now. The work will come later, that's for sure. But they're bascially giving me the keys to the car in this band, and asking me for suggestions as to what material I want to bring into the group. I hope they're ready to learn 311's version of The Cure's Love Song, or Down's Ghosts Along The Mississippi, for starters. I'll come up with a list of songs in the next few days, and burn a CD for them to listen to while I'm gone next week.
And that's because I ain't leaving Steppen Stonz. Things are difficult for them right now, and they don't need things to be made worse by me bailing on them. They took the chance on me, after all. I think that they'll only be out of work for a little while, and then they'll be back with a vengeance. So why would I leave them when I'm convinced that while things suck now, they'll get better and better soon?
So I'll do both bands for the time being. I have my concerns about Dirty Joe, and those will only be answered with time. Mike and Arthur have weathered far worse times than this, so I know that they'll still be around. I think Mike and Arthur would be tickled to know that I'm a lead singer now myself. They'd probably laugh at my act, but not out of spite - I hope. But even if they did, I don't think I'd care that much. I have a saying, after all:
"I don't care if you're laughing with me or at me, so long as I've made you laugh."
Tuesday, November 30, 2010
Mission..... Accomplished?
I recently came across a picture that sent me into full-on hindsight mode. I wasn't in it, but an old friend of mine was. His name is Zach Barnhart, and it was a pic of him and another guy I knew from my lost year at Washington State University, Brian Akesson, playing in the drumline of WSU (pronounced as 'wazoo' by Washingtonians and others in the know) marching band. It got me to thinking about that year of my life, what went wrong with it, and what may have actually gone right in the long run.
I'd always known that I'd wanted to go to college. I was far too smart (and smartassed) for a blue-collar existence in Port Angeles, working in a mill, or somebody's shop, and I knew it. But my grades in high school were never good enough because I just didn't give a fuck about class. I was only interested in hiding from bullies and indifferent teachers. Only my final semester of my senior year did I have grades that actually mirrored what everyone but myself thought was capable of. So I knew that going to the University of Washington (U-Dub) or Wazoo was out of the question. Even the smaller state schools like Central or Eastern Washington were beyond my reach. So I applied for Pell Grants and signed on to get my Associates Degree up at Peninsula College instead. I actually enjoyed studying there, because I was among people that were actually there to study instead of enjoy the social cliques of high school that I had always been denied access to. I sang in choir, played dixieland jazz with my music instructor's band, wrote for the college's newspaper, even managed to find a girlfriend or two - sort of. It was a pretty good time for me, and being turned down for university after earning my Associates degree wasn't a total bummer for me - I just took a third year at PC, knocking out some courses that I'd probably need further down the line, and waited for an opening to come my way.
I'd told people that I'd wanted a degree in Music Education, because the only teachers that ever gave a shit about me (in my opinion) were my music teachers, and I wanted to go into that field if only to be able to reach someone like myself somewhere down the road and help them find their way in the world. In hindsight, I know now that I was fooling myself. I just wanted to play, that was all. But I'd lost that urge I'd had in marching band to practice relentlessly, and what skills I had then eroded away after three years at PC. But after my third year, my prospects were still kind of cloudy. By university standards my grade-point average, just a hair below honor-roll level, weren't great. But Central Washington University in Ellensburg was willing to take me on in the winter semester, which meant a six-month wait which could possibly dampen any enthusiasm I'd had to go. Then during the summer I was accepted at WSU, albeit with no real chance at getting any financial aid, because their entire allotment for the year had already been distributed. And my while my parents were barely scraping along, they made too much money for me to qualify for financial assistance set aside for kids from low-income households. But a hastily arranged bank loan got me on the bus to Pullman, just about as far away from Port Angeles as you could be and still be in the state of Washington. How was I to know that this was about as good as it was going to get?
I'd already been to Pullman, though. After my loan was secured, my dad and I took a weekend road trip to get a lay of the land, so I knew the place reasonably well. But that long bus trip was a nightmare. It almost didn't even start. Already in my seat on the bus waiting to leave the Greyhound terminal in Seattle, I was just beginning to get angry about the bus being delayed when I saw police in bomb-squad gear approach the bus' cargo hold, and pull out my luggage box! I practically had to throw the bus driver aside to ask the cops what was going on - they asked me if I'd put a bomb in my box! A porter got nervous when somehow the little boombox in my box got turned on, and called the cops. I told them there was no bomb in my luggage, that I had no interest in going in getting it to turn it off, and since the batteries were rechargeable, did it matter? Let's get the fuck outta here! This delay made us nearly two hours late into Spokane, where I missed my connection to Pullman, and the last bus of the night got me there after the student dormitories had closed for the night. I wound up having to share the last available hotel room in Pullman with a guy I'd never seen before in my life, a student from Ohio who was similarly unable to get into the dorms.
My educational status was pretty odd there. Since I was a transfer from a community college with an Associates Degree, I was considered a Junior. But others in the university's bureaucracy considered me a Senior because of having three years' worth of transferable college credits. But despite my diligent effort at closing any gaps that I might have had in my portfolio, I still had to take sophomore- and even freshman-level classes! That entire year, if anyone asked me what grade I was, I told them 'all of the above'! And the other percussion students I was dealing with were far more talented than I was. My instructor there, a good man by the name of David Jarvis (he's still there at WSU - go look him up), I think I was pretty much a remedial student by his standards. And in retrospect, I wouldn't blame him for feeling that way. I just wasn't up to it. And as the year went on, I came to the realization that my heart wasn't into it. I've always told people that I ran out of everything while I was there - time, money, energy. I need to add enthusiasm to that as well. I had so much on my plate between classes, rehearsals, a part-time job slinging pizza for the local Domino's, and then I discovered that my dorm (Orton Hall) had a radio station within its innards. And since it wasn't a broadcast station (cable-radio?), it was exempt from FCC regulations. I took to it like a duck to water, managing the station under the oversight of my resident-advisor from my dorm's floor, setting up a schedule, and personally running six hours of programming a week - albeit that was just me playing stuff out of my tape collection and talking shit with my friends.
As a result, my grades suffered, I was placed on 'academic probation', and my managership at the radio station was taken away from me. The station's operation was awarded to another RA, but he couldn't be bothered to do anything - once during a meeting, his girlfriend (who had nothing to do with the station) suggested that I just go to another station, and I basically had to put both of them in their place rather abruptly. I ran the radio station for the remainder of the year, and played the weekly delivery of records (!) that played Dr. Demento and America's Top 40 in addition to my regular shifts. By mid-April of that year, I think that was when I came to the realization that I wouldn't be coming back the next year. I wanted so badly to just quit right there and then, but I had to try to keep up the illusion to my parents that I was trying hard and doing my best when in reality I just didn't give a fuck any more.
I still went to classes, still took notes, still answered questions, but I knew my heart wasn't in it. I'd been a part of the university's Percussion Ensemble and performed in several concerts, but now it all seems a blur to me. I wasn't selected for further concerts after I blew off a concert for an intramural basketball tournament. I'm pretty sure that my fellow drummers in the Ensemble just didn't give a shit about me, that I wasn't in their league. Can't say that I blame them if that's how they felt. I beat my head against the wall of Psychology 101, but the skinny puta grad-student that ran the class failed me despite B-plus work because I couldn't get into the required 'experiments' that all Psych 101 students were required to take part in no matter how hard I tried to get into them. By the end of the year, I was glad to just go away and wash my hands of the entire year. I made a few claims to family that I would go back after a year off to get my head right and my chops up to snuff, but I don't think I was even fooling myself, let alone anyone else. I spent more of those last months just wandering the campus more than anything else. At least that's what I remember, or what I choose to remember.
But where am I now? Okay, my financial situation is the shits, but let's look at things from a professional standpoint. In the fifteen years or so that I've been a professional drummer, I've likely logged more hours onstage than all those other, better drummers in the Percussion Ensemble combined. Sure, the gigs that I've played haven't exactly been glamorous, but I've earned the respect of my peers. I've played all over the West, and it looks like I could be going truly nationwide if the cards fall right for me. Perhaps even....... international. Who knows? What I do know is that for as disappointing a failure as that year was, I still survived, and my dream to play was still there. It just wasn't coming in the way I was thinking it would in 1990 and 1991. It'd come in bars and nightclubs instead of concert halls. It would be loose and limber instead of tight and formal. It would be with the love a wonderful, caring wife in my heart rather than a series of confused, uninterested girlfriends always wondering behind my back what I was up to.
It all boils down to that old chestnut, 'what doesn't kill you, makes you stronger'. Well, I am stronger for that year, regardless of the what-ifs and what-could-have-beens. Regardless of the pain and disappointment. I am still here, still playing, still doing what I've always wanted to do most in my heart. So in that case....... mission accomplished. Where do I go from here, who knows? At least now I can enjoy the ride.
I'd always known that I'd wanted to go to college. I was far too smart (and smartassed) for a blue-collar existence in Port Angeles, working in a mill, or somebody's shop, and I knew it. But my grades in high school were never good enough because I just didn't give a fuck about class. I was only interested in hiding from bullies and indifferent teachers. Only my final semester of my senior year did I have grades that actually mirrored what everyone but myself thought was capable of. So I knew that going to the University of Washington (U-Dub) or Wazoo was out of the question. Even the smaller state schools like Central or Eastern Washington were beyond my reach. So I applied for Pell Grants and signed on to get my Associates Degree up at Peninsula College instead. I actually enjoyed studying there, because I was among people that were actually there to study instead of enjoy the social cliques of high school that I had always been denied access to. I sang in choir, played dixieland jazz with my music instructor's band, wrote for the college's newspaper, even managed to find a girlfriend or two - sort of. It was a pretty good time for me, and being turned down for university after earning my Associates degree wasn't a total bummer for me - I just took a third year at PC, knocking out some courses that I'd probably need further down the line, and waited for an opening to come my way.
I'd told people that I'd wanted a degree in Music Education, because the only teachers that ever gave a shit about me (in my opinion) were my music teachers, and I wanted to go into that field if only to be able to reach someone like myself somewhere down the road and help them find their way in the world. In hindsight, I know now that I was fooling myself. I just wanted to play, that was all. But I'd lost that urge I'd had in marching band to practice relentlessly, and what skills I had then eroded away after three years at PC. But after my third year, my prospects were still kind of cloudy. By university standards my grade-point average, just a hair below honor-roll level, weren't great. But Central Washington University in Ellensburg was willing to take me on in the winter semester, which meant a six-month wait which could possibly dampen any enthusiasm I'd had to go. Then during the summer I was accepted at WSU, albeit with no real chance at getting any financial aid, because their entire allotment for the year had already been distributed. And my while my parents were barely scraping along, they made too much money for me to qualify for financial assistance set aside for kids from low-income households. But a hastily arranged bank loan got me on the bus to Pullman, just about as far away from Port Angeles as you could be and still be in the state of Washington. How was I to know that this was about as good as it was going to get?
I'd already been to Pullman, though. After my loan was secured, my dad and I took a weekend road trip to get a lay of the land, so I knew the place reasonably well. But that long bus trip was a nightmare. It almost didn't even start. Already in my seat on the bus waiting to leave the Greyhound terminal in Seattle, I was just beginning to get angry about the bus being delayed when I saw police in bomb-squad gear approach the bus' cargo hold, and pull out my luggage box! I practically had to throw the bus driver aside to ask the cops what was going on - they asked me if I'd put a bomb in my box! A porter got nervous when somehow the little boombox in my box got turned on, and called the cops. I told them there was no bomb in my luggage, that I had no interest in going in getting it to turn it off, and since the batteries were rechargeable, did it matter? Let's get the fuck outta here! This delay made us nearly two hours late into Spokane, where I missed my connection to Pullman, and the last bus of the night got me there after the student dormitories had closed for the night. I wound up having to share the last available hotel room in Pullman with a guy I'd never seen before in my life, a student from Ohio who was similarly unable to get into the dorms.
My educational status was pretty odd there. Since I was a transfer from a community college with an Associates Degree, I was considered a Junior. But others in the university's bureaucracy considered me a Senior because of having three years' worth of transferable college credits. But despite my diligent effort at closing any gaps that I might have had in my portfolio, I still had to take sophomore- and even freshman-level classes! That entire year, if anyone asked me what grade I was, I told them 'all of the above'! And the other percussion students I was dealing with were far more talented than I was. My instructor there, a good man by the name of David Jarvis (he's still there at WSU - go look him up), I think I was pretty much a remedial student by his standards. And in retrospect, I wouldn't blame him for feeling that way. I just wasn't up to it. And as the year went on, I came to the realization that my heart wasn't into it. I've always told people that I ran out of everything while I was there - time, money, energy. I need to add enthusiasm to that as well. I had so much on my plate between classes, rehearsals, a part-time job slinging pizza for the local Domino's, and then I discovered that my dorm (Orton Hall) had a radio station within its innards. And since it wasn't a broadcast station (cable-radio?), it was exempt from FCC regulations. I took to it like a duck to water, managing the station under the oversight of my resident-advisor from my dorm's floor, setting up a schedule, and personally running six hours of programming a week - albeit that was just me playing stuff out of my tape collection and talking shit with my friends.
As a result, my grades suffered, I was placed on 'academic probation', and my managership at the radio station was taken away from me. The station's operation was awarded to another RA, but he couldn't be bothered to do anything - once during a meeting, his girlfriend (who had nothing to do with the station) suggested that I just go to another station, and I basically had to put both of them in their place rather abruptly. I ran the radio station for the remainder of the year, and played the weekly delivery of records (!) that played Dr. Demento and America's Top 40 in addition to my regular shifts. By mid-April of that year, I think that was when I came to the realization that I wouldn't be coming back the next year. I wanted so badly to just quit right there and then, but I had to try to keep up the illusion to my parents that I was trying hard and doing my best when in reality I just didn't give a fuck any more.
I still went to classes, still took notes, still answered questions, but I knew my heart wasn't in it. I'd been a part of the university's Percussion Ensemble and performed in several concerts, but now it all seems a blur to me. I wasn't selected for further concerts after I blew off a concert for an intramural basketball tournament. I'm pretty sure that my fellow drummers in the Ensemble just didn't give a shit about me, that I wasn't in their league. Can't say that I blame them if that's how they felt. I beat my head against the wall of Psychology 101, but the skinny puta grad-student that ran the class failed me despite B-plus work because I couldn't get into the required 'experiments' that all Psych 101 students were required to take part in no matter how hard I tried to get into them. By the end of the year, I was glad to just go away and wash my hands of the entire year. I made a few claims to family that I would go back after a year off to get my head right and my chops up to snuff, but I don't think I was even fooling myself, let alone anyone else. I spent more of those last months just wandering the campus more than anything else. At least that's what I remember, or what I choose to remember.
But where am I now? Okay, my financial situation is the shits, but let's look at things from a professional standpoint. In the fifteen years or so that I've been a professional drummer, I've likely logged more hours onstage than all those other, better drummers in the Percussion Ensemble combined. Sure, the gigs that I've played haven't exactly been glamorous, but I've earned the respect of my peers. I've played all over the West, and it looks like I could be going truly nationwide if the cards fall right for me. Perhaps even....... international. Who knows? What I do know is that for as disappointing a failure as that year was, I still survived, and my dream to play was still there. It just wasn't coming in the way I was thinking it would in 1990 and 1991. It'd come in bars and nightclubs instead of concert halls. It would be loose and limber instead of tight and formal. It would be with the love a wonderful, caring wife in my heart rather than a series of confused, uninterested girlfriends always wondering behind my back what I was up to.
It all boils down to that old chestnut, 'what doesn't kill you, makes you stronger'. Well, I am stronger for that year, regardless of the what-ifs and what-could-have-beens. Regardless of the pain and disappointment. I am still here, still playing, still doing what I've always wanted to do most in my heart. So in that case....... mission accomplished. Where do I go from here, who knows? At least now I can enjoy the ride.
Tuesday, November 23, 2010
Joe's Sense Of Snow
If you live anywhere in Western Washington, you've probably been digging yourself out from the freak (by local standards) snowstorm that hit over the last few days. I'm no stranger to the flaky white stuff myself, having driven through ungodly amounts of it from here to breakfast. Surprisingly, sometimes it doesn't even change the way I drive.
It depends on where I am in relation to the Cascades and/or Sierras usually. What makes this most recent storm so unusual is that the snow was powder-dry. Usually, snow in Western Washington is wet, heavy crap the skiers call Cascade Concrete. The name is quite appropriate, because the second it hits the ground it turns into an impenetrable layer of ice that lasts far longer than you'd think it would. I won't be terribly surprised if I have to deal with roads still icy from this storm in two-plus weeks when I have to drive back to Nevada.
On the other hand, the snow in Reno and lake Tahoe is dry, powdery perfection - if you ski or snowboard. For me it's only an annoyance when it comes down really heavy, really fast. When I drove my courier route around Tahoe's eastern shore, the snow only slowed me down marginally. What slowed me down more was state law - In California. Y'see, while California and Nevada both are quite active in notifying travelers of road conditions in snow-prone areas, California actually enforces posted chain requirements while Nevada only advises for the most part, save for the drive west from Reno up Interstate 80, climbing up to Donner Pass. And this can be most annoying.
What the California Department of Transportation (CalTrans) does is to actually install crews on either end of a pass to visually inspect each and every traveler's vehicle to see if they comply with the posted requirements. The problem is that sometimes the requirements change and the 'chain chimps' (my term) don't get the message right away - if at all. That can be a real pain in the ass. Sometimes the traffic along these back-road passes is so light, they forget what they're there for and take a little nap on the job, which I can say because I've seen it with my own eyes. Obviously it's a pretty thankless job, and even though I don't necessarily like it, I do appreciate the service they provide, helping keep the roads somewhat safer.
All I know for sure about my next trip is that I've planned to take my Explorer this time around, trading in a 30 - 40% drop in fuel mileage for the safety of better tires and better tire chains. I try not to skimp when it comes to tire chains. I usually by the self-tightening diamond-pattern chains that WalMart sells for anywhere from $60 - $80 depending on the size of the vehicle. But after a rather dramatic case of getting and returning a set of defective chains, I went with cheaper, basic chains that were supposed to fit my truck but didn't really live up to that billing. The best ones I've ever bought were Les Schwab Tires' QuickFit chains, which were pretty similar to the WalMart self-tighteners, just without the self-tightening thing. They weren't cheap either, but those were minor inconveniences as they worked like a motherfucker.
I just hope my back is feeling better by then. Loading and unloading my truck three or four times in the space of 72 hours tweaked it pretty badly, to the point where Joy is basically browbeating me into taking her Vicodin to ease the pain instead of plain old ibuprofen. I'm not looking forward to being in a car for that long with my back on fire.
I guess this part of growing up, right? Y'all can have that shit back.
It depends on where I am in relation to the Cascades and/or Sierras usually. What makes this most recent storm so unusual is that the snow was powder-dry. Usually, snow in Western Washington is wet, heavy crap the skiers call Cascade Concrete. The name is quite appropriate, because the second it hits the ground it turns into an impenetrable layer of ice that lasts far longer than you'd think it would. I won't be terribly surprised if I have to deal with roads still icy from this storm in two-plus weeks when I have to drive back to Nevada.
On the other hand, the snow in Reno and lake Tahoe is dry, powdery perfection - if you ski or snowboard. For me it's only an annoyance when it comes down really heavy, really fast. When I drove my courier route around Tahoe's eastern shore, the snow only slowed me down marginally. What slowed me down more was state law - In California. Y'see, while California and Nevada both are quite active in notifying travelers of road conditions in snow-prone areas, California actually enforces posted chain requirements while Nevada only advises for the most part, save for the drive west from Reno up Interstate 80, climbing up to Donner Pass. And this can be most annoying.
What the California Department of Transportation (CalTrans) does is to actually install crews on either end of a pass to visually inspect each and every traveler's vehicle to see if they comply with the posted requirements. The problem is that sometimes the requirements change and the 'chain chimps' (my term) don't get the message right away - if at all. That can be a real pain in the ass. Sometimes the traffic along these back-road passes is so light, they forget what they're there for and take a little nap on the job, which I can say because I've seen it with my own eyes. Obviously it's a pretty thankless job, and even though I don't necessarily like it, I do appreciate the service they provide, helping keep the roads somewhat safer.
All I know for sure about my next trip is that I've planned to take my Explorer this time around, trading in a 30 - 40% drop in fuel mileage for the safety of better tires and better tire chains. I try not to skimp when it comes to tire chains. I usually by the self-tightening diamond-pattern chains that WalMart sells for anywhere from $60 - $80 depending on the size of the vehicle. But after a rather dramatic case of getting and returning a set of defective chains, I went with cheaper, basic chains that were supposed to fit my truck but didn't really live up to that billing. The best ones I've ever bought were Les Schwab Tires' QuickFit chains, which were pretty similar to the WalMart self-tighteners, just without the self-tightening thing. They weren't cheap either, but those were minor inconveniences as they worked like a motherfucker.
I just hope my back is feeling better by then. Loading and unloading my truck three or four times in the space of 72 hours tweaked it pretty badly, to the point where Joy is basically browbeating me into taking her Vicodin to ease the pain instead of plain old ibuprofen. I'm not looking forward to being in a car for that long with my back on fire.
I guess this part of growing up, right? Y'all can have that shit back.
Friday, November 12, 2010
The Longest Drive Home
After Joy's birthday on the 27th, things hummed along as they normally do for me. The final day of our run in Carson coincided with Nevada Day, which celebrates the anniversary of the Silver State's admittance into the Union. And this being an election year, every candidate running for every office, from Senator to town dogcatcher, was out and about in the parade. Sharron "Forty-one To" Angle came within about five feet of me, and reeked of psychosis. Joy had to grab my shirt collar to keep me from asking the now-defeated Republican candidate why she hated America as much she did.
Heading home on Monday, we took our good sweet time going north. Y'see, we had a few side quests. Monday, we stopped in Bend to see Joy's sister Cindi and her family. We'd been charged with dropping off Christmas presents for them by Joy's mother, and they'd been riding behind the driver's seat for the last two weeks and change. My back appreciated dropping off the package. I also stopped by the local Fred Meyer to pick up tickets to see our old friends Ozomatli in Portland at McMenamin's Crystal Ballroom. We spent a quiet night at a cheap hotel, then headed northeast.
With the concert in Portland not until Thursday, we had a little time to kill. So in order to slay the beast, we spent a few days in Umatilla with her older brother Steve and his fiancee Nancy. We rested, played Nancy's Wii, sang karaoke, and marvelled at Steve's bountiful garden. Not to mention the fresh rabbit resting in his fridge. It cost an extra half-tank of fuel, but it was time well spent.
Thursday morning meant a steady cruise along the Columbia River Gorge into Rip City. We did a wee bit of shopping, searched for a convenient place to park, and found one directly across from the Crystal Ballroom. How convenient was it? The parking spot I chose faced the windows on the building's south side, and directly across from us we could see Ozomatli soundchecking! Once on the ground, we satisfied a long-standing and most major craving by visiting Voodoo Doughnuts. How good was it? Three words: Bacon Maple Bar.
I'll let that soak in.
Was it good for you? It was for us.
It was a long push for me with Joy in her wheelchair - ten blocks each way - but being able to get into line with fresh tasty doughnuts with bacon on them! was well worth the effort. Within a few minutes, the members of Ozomatli began to filter out of the Ballroom in search of food. We wisely hid the doughnuts. Joy wore the bass-guitar string she got from last year's show as a necklace, and Wil-dog wanted it back. Okay, he was just joking, but Joy was not about to give it back. Just about every member of the band stopped to say hello as they went past us. It was a long wait outside the hall to get in, and just as long to wait for the show to start. A DJ kicked off the show, then brought out a posse of rappers by the name of Animal Farm. They were pretty good, but I had one suggestion for them - for the love of God, invest in cordless microphones! The Tangled Cord Monster was on the verge of swallowing them all!
Ozomatli gave their usual 1,000%. I won't bore you with the details, but I will throw you one little anecdote. During the show, Asdrubal Sierra (vocals/keyboards/trumpet) did a little call-and-answer passage during a song on his trumpet. I more-or-less knew what was coming, but I like to participate. He played a passage, the crowd sang it back. A second call, a second answer. The third came so fast there was no way anyone could repeat it, and I knew it was coming, so I gave Asdru the finger for being a shit. I don't think he noticed, but Raul Pacheco, the band's guitarist and vocalist, saw me and busted out laughing! I was having a great time.
And that's when things started going downhill.
About an hour into Ozomatli's set, I got a phone call from Mike. Probably just checking in to see if I was okay, he does that a lot with me because of how many more miles I have to drive than anyone else. Well, I couldn't hear him over the roar of about a thousand Ozo-heads, so I yelled into the phone that I'd call him back later. Mikey called a second time, and I yelled that I couldn't hear him over the crowd and the band before ending the call. Then he texted me - to come back to Reno - now!
A band that shall remain nameless simply decided to not show up for a three-day gig at the Nugget in Sparks, and Stew Stewart called Mikey to see if we could fill in. Let's see here a minute - Mike is still in Carson City getting his car repaired, Cliff is back in Sparks, Arthur is back home in Las Vegas, and I'm in fucking Portland, Oregon! I texted Mike back saying that I'd get back to Reno as soon as the show was over. Later, I told him that if I'd been any further north, I would've told him no. I knew that Mike would've taken the gig regardless, and he would've accepted my decision. But it would force him to use one of the guys they use when they play at that place Cockbreath McPothead got me booted from. And while Alan Zukor and Vern Taylor are capable drummers, and Vern's a damn good singer in his own right, neither of them know the material as well as I do, and the show would suffer, and Mike and Arthur's reputation would suffer as a result of that. I couldn't let that happen. And I told him so. Mike appreciated that.
In hindsight, I kinda wish I'd let it happen after all.
Y'see, my truck had been acting funny. It was having trouble starting up, like it needed an extra second or two to get going. And it was beginning to get worse the further we got from home. The gig at the Nugget went well, and Mike gave me an extra $50 to make up for the expense of driving back and forth. The drive home Sunday had to be done in a real hurry because Joy had a very important doctor's appointment the next day, one that she'd been waiting for for nearly six weeks. So we had to go all out, all the way back to Port Angeles. Then my battery indicator came on as we left Chemult, OR. I figured that my battery was giving up the ghost - I knew it was several years old - so I figured that I needed to get to Eugene to get a fresh battery. One fresh battery later, my truck wouldn't start! Even getting a jump start from the reefer-unit of a friendly trucker couldn't get the truck to turn over. But a push-start did. By the time we got back on to I-5, the battery light was off, and we were heading north.
Then it went out again - with the sun going down. I made a command decision, and continued north, with only lights on. No stopping until the battery died. No stereo, no heater, no nothing. Joy took my phone and started making calls to arrange a rescue scenario. 170 miles later, sixty miles into Washington, the battery began to give out, and we coasted into the parking lot of Mrs. Beesley's Burgers, a burger shop on the highway between Toledo and Vader that crosses over the freeway. A deluxe cheeseburger and fries (quite good) eased my stomach, but not my mind. Eventually, I was able to focus on the positive - at least I was only an hour or so from Tacoma. Joy's youngest brother Scott came to our rescue about ninety of the longest minutes of my life later, and tried in vain to jump start my truck. Instead we let the battery charge, and push-started it again. He nursed the battery again in Chehalis, and eventually we pulled into Joy's mother's house in Parkland, sometime close to midnight.
Meanwhile, Joy had called her best friend Delane, then Delane's son Mike, and got him to drive our Exploder down to Parkland to come rescue us. He's a good boy, and does what he's told. Most of the time. He'd just made it there when we arrived. Everything but my drums and foodbox went into the Exploder, and we backed my truck out of the way of other vehicles. My gear went into the garage, to be picked up at a later date - with the truck, preferably. I finally went and got it today with my dad. Now it's in the hands of the Sequim Auto Clinic, where the brother-in-law of my dad's second ex-wife put it into the care of his best mechanic. And Joy made her appointment on time.
The ironic thing here is that I hadn't planned on driving my truck to Reno again any time soon after this trip, regardless of what happened to it. Winter is coming, after all. And that's when my Exploder's better tires, chains, and four-wheel-drive would would more than compensate for it's shitty gas mileage. And while my truck will be up and running long before December 8, my next date of departure, It's not going anywhere right now, or for a while to come. I just hope that I don't hear "it's not really worth fixing." My pickup is a POS, but it's my POS, and I've gone all over the West with it. I'd be pretty bummed out to lose it. Not to mention unable to replace it.
But I've gotta keep my head up, right? I think I shall.
UPDATE: My truck was fixed up a few days after I wrote the original post, and a new alternator and starter were required. Marvin and his mechanic Wong bought top-of-the-line parts for it, and they put a lifetime warranty - including nationwide retrieval in case of breakdown - on the work, for $685.11. That's a steep price to be sure, but Dad paid for it. I just find it hard to put nearly $700 in repairs into a truck worth only about $200 or so. But I won't complain too much. I figure that after my next run to Nevada, I'll be able to put fresh tires on the front end of the truck, or at least gently used ones. My stepfather recommended a local dealer to me, whose name I can't remember right off hand, so I'll give this place a look-see come January.
Heading home on Monday, we took our good sweet time going north. Y'see, we had a few side quests. Monday, we stopped in Bend to see Joy's sister Cindi and her family. We'd been charged with dropping off Christmas presents for them by Joy's mother, and they'd been riding behind the driver's seat for the last two weeks and change. My back appreciated dropping off the package. I also stopped by the local Fred Meyer to pick up tickets to see our old friends Ozomatli in Portland at McMenamin's Crystal Ballroom. We spent a quiet night at a cheap hotel, then headed northeast.
With the concert in Portland not until Thursday, we had a little time to kill. So in order to slay the beast, we spent a few days in Umatilla with her older brother Steve and his fiancee Nancy. We rested, played Nancy's Wii, sang karaoke, and marvelled at Steve's bountiful garden. Not to mention the fresh rabbit resting in his fridge. It cost an extra half-tank of fuel, but it was time well spent.
Thursday morning meant a steady cruise along the Columbia River Gorge into Rip City. We did a wee bit of shopping, searched for a convenient place to park, and found one directly across from the Crystal Ballroom. How convenient was it? The parking spot I chose faced the windows on the building's south side, and directly across from us we could see Ozomatli soundchecking! Once on the ground, we satisfied a long-standing and most major craving by visiting Voodoo Doughnuts. How good was it? Three words: Bacon Maple Bar.
I'll let that soak in.
Was it good for you? It was for us.
It was a long push for me with Joy in her wheelchair - ten blocks each way - but being able to get into line with fresh tasty doughnuts with bacon on them! was well worth the effort. Within a few minutes, the members of Ozomatli began to filter out of the Ballroom in search of food. We wisely hid the doughnuts. Joy wore the bass-guitar string she got from last year's show as a necklace, and Wil-dog wanted it back. Okay, he was just joking, but Joy was not about to give it back. Just about every member of the band stopped to say hello as they went past us. It was a long wait outside the hall to get in, and just as long to wait for the show to start. A DJ kicked off the show, then brought out a posse of rappers by the name of Animal Farm. They were pretty good, but I had one suggestion for them - for the love of God, invest in cordless microphones! The Tangled Cord Monster was on the verge of swallowing them all!
Ozomatli gave their usual 1,000%. I won't bore you with the details, but I will throw you one little anecdote. During the show, Asdrubal Sierra (vocals/keyboards/trumpet) did a little call-and-answer passage during a song on his trumpet. I more-or-less knew what was coming, but I like to participate. He played a passage, the crowd sang it back. A second call, a second answer. The third came so fast there was no way anyone could repeat it, and I knew it was coming, so I gave Asdru the finger for being a shit. I don't think he noticed, but Raul Pacheco, the band's guitarist and vocalist, saw me and busted out laughing! I was having a great time.
And that's when things started going downhill.
About an hour into Ozomatli's set, I got a phone call from Mike. Probably just checking in to see if I was okay, he does that a lot with me because of how many more miles I have to drive than anyone else. Well, I couldn't hear him over the roar of about a thousand Ozo-heads, so I yelled into the phone that I'd call him back later. Mikey called a second time, and I yelled that I couldn't hear him over the crowd and the band before ending the call. Then he texted me - to come back to Reno - now!
A band that shall remain nameless simply decided to not show up for a three-day gig at the Nugget in Sparks, and Stew Stewart called Mikey to see if we could fill in. Let's see here a minute - Mike is still in Carson City getting his car repaired, Cliff is back in Sparks, Arthur is back home in Las Vegas, and I'm in fucking Portland, Oregon! I texted Mike back saying that I'd get back to Reno as soon as the show was over. Later, I told him that if I'd been any further north, I would've told him no. I knew that Mike would've taken the gig regardless, and he would've accepted my decision. But it would force him to use one of the guys they use when they play at that place Cockbreath McPothead got me booted from. And while Alan Zukor and Vern Taylor are capable drummers, and Vern's a damn good singer in his own right, neither of them know the material as well as I do, and the show would suffer, and Mike and Arthur's reputation would suffer as a result of that. I couldn't let that happen. And I told him so. Mike appreciated that.
In hindsight, I kinda wish I'd let it happen after all.
Y'see, my truck had been acting funny. It was having trouble starting up, like it needed an extra second or two to get going. And it was beginning to get worse the further we got from home. The gig at the Nugget went well, and Mike gave me an extra $50 to make up for the expense of driving back and forth. The drive home Sunday had to be done in a real hurry because Joy had a very important doctor's appointment the next day, one that she'd been waiting for for nearly six weeks. So we had to go all out, all the way back to Port Angeles. Then my battery indicator came on as we left Chemult, OR. I figured that my battery was giving up the ghost - I knew it was several years old - so I figured that I needed to get to Eugene to get a fresh battery. One fresh battery later, my truck wouldn't start! Even getting a jump start from the reefer-unit of a friendly trucker couldn't get the truck to turn over. But a push-start did. By the time we got back on to I-5, the battery light was off, and we were heading north.
Then it went out again - with the sun going down. I made a command decision, and continued north, with only lights on. No stopping until the battery died. No stereo, no heater, no nothing. Joy took my phone and started making calls to arrange a rescue scenario. 170 miles later, sixty miles into Washington, the battery began to give out, and we coasted into the parking lot of Mrs. Beesley's Burgers, a burger shop on the highway between Toledo and Vader that crosses over the freeway. A deluxe cheeseburger and fries (quite good) eased my stomach, but not my mind. Eventually, I was able to focus on the positive - at least I was only an hour or so from Tacoma. Joy's youngest brother Scott came to our rescue about ninety of the longest minutes of my life later, and tried in vain to jump start my truck. Instead we let the battery charge, and push-started it again. He nursed the battery again in Chehalis, and eventually we pulled into Joy's mother's house in Parkland, sometime close to midnight.
Meanwhile, Joy had called her best friend Delane, then Delane's son Mike, and got him to drive our Exploder down to Parkland to come rescue us. He's a good boy, and does what he's told. Most of the time. He'd just made it there when we arrived. Everything but my drums and foodbox went into the Exploder, and we backed my truck out of the way of other vehicles. My gear went into the garage, to be picked up at a later date - with the truck, preferably. I finally went and got it today with my dad. Now it's in the hands of the Sequim Auto Clinic, where the brother-in-law of my dad's second ex-wife put it into the care of his best mechanic. And Joy made her appointment on time.
The ironic thing here is that I hadn't planned on driving my truck to Reno again any time soon after this trip, regardless of what happened to it. Winter is coming, after all. And that's when my Exploder's better tires, chains, and four-wheel-drive would would more than compensate for it's shitty gas mileage. And while my truck will be up and running long before December 8, my next date of departure, It's not going anywhere right now, or for a while to come. I just hope that I don't hear "it's not really worth fixing." My pickup is a POS, but it's my POS, and I've gone all over the West with it. I'd be pretty bummed out to lose it. Not to mention unable to replace it.
But I've gotta keep my head up, right? I think I shall.
UPDATE: My truck was fixed up a few days after I wrote the original post, and a new alternator and starter were required. Marvin and his mechanic Wong bought top-of-the-line parts for it, and they put a lifetime warranty - including nationwide retrieval in case of breakdown - on the work, for $685.11. That's a steep price to be sure, but Dad paid for it. I just find it hard to put nearly $700 in repairs into a truck worth only about $200 or so. But I won't complain too much. I figure that after my next run to Nevada, I'll be able to put fresh tires on the front end of the truck, or at least gently used ones. My stepfather recommended a local dealer to me, whose name I can't remember right off hand, so I'll give this place a look-see come January.
Subscribe to:
Posts (Atom)
